Aggregato Table Lamp by Giancarlo Fassina and Enzo Mari.

Aggregato Table Lamp by Giancarlo Fassina and Enzo Mari. Aggregato Table Lamp by Giancarlo Fassina and Enzo Mari. Aggregato Table Lamp by Giancarlo Fassina and Enzo Mari. Aggregato Table Lamp by Giancarlo Fassina and Enzo Mari. Aggregato Table Lamp by Giancarlo Fassina and Enzo Mari. Aggregato Table Lamp by Giancarlo Fassina and Enzo Mari. Aggregato Table Lamp by Giancarlo Fassina and Enzo Mari. Aggregato Table Lamp by Giancarlo Fassina and Enzo Mari. Aggregato Table Lamp by Giancarlo Fassina and Enzo Mari. Aggregato Table Lamp by Giancarlo Fassina and Enzo Mari. Aggregato Table Lamp by Giancarlo Fassina and Enzo Mari. Aggregato Table Lamp by Giancarlo Fassina and Enzo Mari. Aggregato Table Lamp by Giancarlo Fassina and Enzo Mari. Aggregato Table Lamp by Giancarlo Fassina and Enzo Mari. Aggregato Table Lamp by Giancarlo Fassina and Enzo Mari. Aggregato Table Lamp by Giancarlo Fassina and Enzo Mari. Aggregato Table Lamp by Giancarlo Fassina and Enzo Mari.

Height: 100 cm
Width: 23 cm
Depth: 23 cm

Status: Available

Price: € 850

In 1976, the Italian architect and designer Enzo Mari collaborated with Giancarlo Fassina to create the Aggregato series for Artemide. The name Aggregato is a reference to the geometric shape and the extreme versatility of the series with various ceiling and wall lamps, as table and floor lamps. The lamps are available with two different plastic shades: conical or spherical.
We offer you this pure table lamp with a spherical shade in white plastic.
We love the pure design of Enzo Mari, created with simple materials. Let the detail pictures convince you.
This table lamp is in very good condition, with normal signs of age and use. All our lamps are cleaned and checked, so ready for use. This lamp is out of production.

Enzo Mari can be considered a real ‘Homo Universalis’. Besides being a designer and architect, he is also a graphic artist, a poet and an art theorist.
In an ironic way Mari states that there are already enough furniture on the market. That is why he does not necessarily want to make beautiful things, but especially sustainable and affordable designs. Putting his own influence into perspective, he asks himself what went wrong when one of his designs became a commercial success.

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